The Burglar from Hell

A marauding, muscle-bound burglar named Frank the Tank violently invades the home of an elderly woman who promptly turns the tables; killing him with a shotgun and burying his corpse in her backyard before abruptly dropping dead from a heart attack. Several years later, a group of young friends unsuspectingly vacation together at the aforementioned beach house. When their new, witchcraft obsessed acquaintance Token attempts to conjure up a rain spell, she inadvertently brings Frank the Tank back from the grave. One by one the guests are gruesomely dispatched by the wise cracking, pizza-faced, undead burglar in a staggering flurry of maniacal murder and mayhem. A seminal SOV standout from the early ‘90s mail order horror boom, Burglar From Hell built a dedicated following in the underground with its riotous mix of practical splatter effects, low-brow toilet humor, gratuitous nudity, and unexpected attempts at social commentary. An engaging time capsule of 1990s Queens, New York that is notable as the feature debut of indie scream queen Debbie D. (Eaten Alive: A Tasteful Revenge), Burglar From Hell helped put filmmaker Phil Herman (Tales Till The End) and his Falcon Video collective on the micro-budget map and continues to intrigue audiences with its endearing homespun charms and bewildering bouts of camcorder phantasmagoria.